Our equipment is ideal for music videos, commercials, documentaries and
small feature projects. If you have any questions call us +1 (310) 760-6022


• Sensor: 14 Megapixel MYSTERIUM-X™
• Pixel array: 5120 (h) x 2700 (v)
• S/N ratio: 66db
• Dynamic range: 13.5 stops, up to 18 stops with HDRx™
• Max image area: 5120 (h) x 2700 (v)
• Lens coverage: 27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
• Depth of field: Equivalent to S35mm (Motion) / APS-H (Still) lenses
Equivalent to 16mm (Motion) lens in 2K RAW
• Acquisition formats: 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)
• Project frame rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

Zeiss CP.2 Compact Prime Set

25, 35, 50, 85

• The Compact Prime CP.2 lenses are the latest members of the ZEISS family of lenses for digital and film cameras. This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable mounts that allow the lenses to be used with a wide range of cameras from traditional cine to HDSLR systems.


Digital single-lens reflex camera Kits with ZOOM H4n digital sound system

• Digital, AF/AE single-lens reflex, camera
• CF Cards (Type I); Compatible with UDMA CF cards; SD, SDHC, and SDXC Memory Cards
• Approx. 36 mm x 24mm (35mm Full-frame)
• Canon EF Lenses (excluding EF-S Lenses)
• Design Rule for Camera File System 2.0 and EXIF 2.3
• Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM)
• Records to either the CF card or SD card
• When the current card becomes full, the camera switches to the other card automatically
• File Format: MPEG-4 AVC / H.264
• Variable (averaged) bit rate
• Recording Sizes: 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480
• Frame Rates
1920 x 1080: 30 fps / 25 fps / 24 fps, 1280 x 720: 60 fps / 50 fps, 640 x 480: 30 fps / 25 fps


• 11-16mm f/2.8 AT-X 116 PRO DX-II  (Tokina)
• 24-105 mm f/4 DG OS HSM Art (Sigma)
• 70-200 mm f/2.8L IS II USM (Canon)
• 50 mm f/1.2L USM (Canon)
• 85 mm f/1.4 (Samyang)
• 100 mm f/2.8L Macro IS USM (Canon)


• Triple lens Pentaflex mount
• Zeiss lenses: 2.8/12.5mm, 1.4/25mm and 1.4/50mm
• Reflex view finder with an unusual optical path that runs under the camera instead of above the film chamber
• Manual exposure only (no integrated exposure meter)
• Max. reel capacity: there are two different magazines: 30m/100ft and 120m/400ft
• Variable shutter (0 — 180°)
• No sound recording — a non-quite camera made for B roll or post sound recording


• Vintage USSR 8mm Film Camera with Half Used 8mm Film Cartridge
• ‘Agate-14’ lens: 2.8/9mm-27mm zoom


• ARRI 650 Plus (+ dimmer) — 1 Unit
The ARRI Fresnel series is ideal for use where compact,
lightweight tungsten Fresnel spotlights are required,
especially in small studios where grid height is a problem.

• Cosmobeam 1000W (+ dimmer) — 2 Units
This 800/1000W open-face, tungsten-halogen floodlight is a precious tool
for both studio applications and locations where powerful and long-distance illumination,
quick and easy setup are needed.

• Litepanels MicroPro — 1 Unit
On-Camera LED Light


• Zoom H4n Handy Mobile 4-Track Recorder
• Sony MDR-7506 Circumaural Closed-Back Professional Monitor Headphone
• Sennheiser ew 100 ENG G2 Wireless Microphone System Combo — A (518-866 MHz)
• Sennheiser SKP 100 G2 Plug-on Transmitter for Dynamic Microphones — A (740-776 MHz)
• Shure SM57-LC Dynamic Microphone
• Sennheiser MKH-60 — (P48) Short Shotgun Mic
• Sennheiser Ultimate Shotgun Microphone Kit — Includes: Rycote Windshield Kit, Cabled Boom Pole and Canare XLR Cable
• Tram TR50 — Omnidirectional Lavalier Condenser Microphone (Black)
• Sony ECM-55B — Omni-Directional Lavalier Condenser Microphone
• PSC FBPS-CCRA — Small Carbon Fiber Boom Pole with Coiled Cable and Side Exit XLR Connector- Measuring 1.7 — 6.1′


• Libec JB-30 Jib Arm with T101 Tripod and DL-8 Dolly- Supports up to 22 lb (10 kg)
• A full featured jib which supports film or video cameras weighing up to 22 lb (10 kg).
• The head attachment is adaptable between 75 mm and 100 mm, and may be reversed when an ant’s-eye point of view is desired.
• Standard barbell-type plates are employed for the counterweight, and the whole assembly sets up and breaks down in a simple, logical manner.


• Can be used with LIBEC JB-30 JIB ARM and any heavy FILM CAMERA!
• Easy Slide — Easy Glide construction
• Portable, travel friendly , light weight and sturdy system
• Achieve amazing smooth & cinematic professional shots
• Quality designed with astounding features


• ROLLER skating equipment
• MIDLAND GXT-500 radio system (433.075- 434.775 MHz up to 10 miles)
• 15-inch MacBook Pro with Adobe Premiere Pro, Final Cut Pro, AVID Media Composer & DaVinci grading tool installed